Memorable Mass in B minor

Saturday 7 March 2020

The John Dethick Memorial Concert

The choir sings each of Bach’s most celebrated choral works in rotation every three years, and this year presented his choral masterpiece, the magnificent Mass in B minor as the 2019 John Dethick Memorial concert in Sheffield cathedral on Saturday 7 March.. Widely regarded as one of the greatest compositions in musical history, the B minor mass is a favourite of the choir’s, as was obvious on the night.

Sopranos Jane Burnell and Claire White–Mckay, alto Lucy Appleyard, tenor David Brown and bass Quentin Brown put in memorable performances, as did the National Festival Orchestra, ably conducted by Dr. Simon Lindley. The concert proved to be a highlight for local music lovers over the Easter period.

 

 

 

Mesmerising Messiah

Monday 2 December 2019

Sheffield Bach Choir’s annual performance of Messiah alongside the National Festival Orchestra, conducted by Dr. Simon Lindley, offered Sheffield music lovers a splendid opportunity to include a live performance of Handel’s wonderful oratorio in their Christmas preparations. The choir quite obviously enjoy singing this wonderful oratorio, which they clearly know very well indeed, and soloists Peyee Chan, Margaret McDonald, Tim Kennedy and James Geidt were quite magnificent, making this was a truly memorable performance.

Bach round the font

Visitors to Sheffield’s Anglican cathedral occasionally happen upon a rehearsal for that evening’s concert – but there’s an extra treat in store on Saturday 9 March 2019. Dr Simon Lindley will provide a short talk about Johann Sebastian Bach around Brian Hall’s wonderful stainless steel font, as part of Classical Sheffield’s third weekend festival.

The talk, from 6.15 to 6.45pm, will be free to festival pass holders, and follows an afternoon open rehearsal of the St John Passion for that evening’s 7.30pm concert by Sheffield Bach Choir.

“One of the themes of this year’s festival is Future Makers” explained Dr Lindley, “and I hope to persuade visitors that Bach was a future maker of the past – especially with his choral music. Opera was quite a new form in Bach’s time, but his Passions are amazingly dramatic and innovative, and there is no doubt that his music has had a huge influence on other composers – including, I’m sure, some of the young Sheffield composers who have written new works for the 2019 Classical Weekend festival.”

It is 50 years since Dr Lindley’s first involvement with the St John Passion when he played continuo in a performance at Westminster Abbey in 1969. He marked the occasion by meeting up with Sir Ivor Atkins grand-daughter Katherine O’Carroll in Leeds last month.

“Atkins, who was born 150 years ago, was the editor of the 1929 edition of Bach’s St John Passion which choirs, including ours, still use to this day.” said Simon. “He and Edward Elgar had collaborated on an edition of Bach’s St Matthew Passion in 1911, and he also produced a new edition of the Brahms Requiem in English. It was wonderful to meet up with his grand-daughter on my anniversary to discuss how we might mark his.”

Bach’s St John Passion will be given by Sheffield Bach Choir at 7.30pm on Saturday 9 March in Sheffield Cathedral, with the National Festival Orchestra led by Sally Robinson, Alan Horsey on continuo and featuring tenor Stephen Liley and bass Thomas Hunt as Evangelist and Christ respectively. The open rehearsal will start at 1.30p (soloists only) and from 2.30 with the full choir and orchestra.

Tickets, available from www.sheffieldbachchoir or on the door, must be purchased separately rather than via Classical Sheffield, but there’s a £5 discount for festival pass holders. The talk at 6.15pm is free.

Thomas plays Poulenc

Sheffield Telegraph 19 September 2018

Sheffield Bach Choir is thrilled that Thomas Corns, Director of Music at Sheffield Cathedral, will play at their ‘French Connection’ concert on 6 October. “I’m very much looking forward to playing Poulenc’s Concerto” said Thomas. “It’s the first time I’ve performed with one of Sheffield’s major ensembles as a soloist since my appointment – and it’ll be in the Cathedral where I work!”

thomas corns 1Prize-winning graduate of the Royal Academy of Music, Thomas held organ scholarships at Cambridge and St Paul’s Cathedral and has performed on TV and radio. Thomas feels privileged to be nurturing the centuries-old tradition of choral singing in this wonderful venue. “I enjoy working with the talented boys and girls who come from across the city to be choristers, and with the professional musicians and students of the choir.”

The choristers will join the Bach Choir to sing Duruflé’s Requiem, Faure’s well-known Cantique and Poulenc’s exquisite Salve Regina, with mezzo soprano Joanna Gamble and baritone Thomas Asher. Singing with the altos will be Thomas’ wife Claire, who joined the choir shortly after their arrival in 2017.

As a child Thomas was inspired by the organ playing at Wells cathedral where he was a chorister. “Good organs often have a tremendous expressive range but they are also impressive instruments” he explained. “Playing a cathedral organ to thousands of people on an important occasion can feel like a big responsibility – but it’s also great fun!”

Staying with the organ theme, two days later the choir’s music director Simon Lindley presents a free recital at Nether Green Methodist Church on the magnificent Father Willis organ, which was almost certainly played at his grandparents’ wedding in 1916.  “Henry ‘Father’ Willis built organs in St Paul’s cathedral, the Royal Albert Hall and Windsor Castle, as well as the somewhat smaller but no less fine example now at Nether Green” said Simon. “My grandmother Elsie May lived on Gladstone Road, Ranmoor, but moved to Leeds after her marriage to Rev Francis Joshua Lindley”. Music and ministry run in the family; Simon’s sister Ruth was a singing tutor who sang in the London Oratory Choir, his late father was a minister and his cousin Lisa lives in Sheffield and sings with Sheffield Bach Choir.

The recital is organised by the choir with Sheffield & District Organists’ and Choirmasters’ Association, of which Simon is President-Elect, in commemoration of the Armistice Centenary, which the choir will also mark by presenting Karl Jenkins’ Armed Man at the cathedral on 17 November. “This recital includes works by Elgar, Butterworth and Vaughan Williams” explained Chris Walker, Chair of Sheffield Bach Choir. “It will be a wonderful evening rounded off by a free buffet. We hope readers will come to hear Simon play the organ that has such a special place in his family history – especially since it’s his 70th birthday two days later!”

The recital is free, with a retiring collection for choir funds; details from www.sheffieldbachchoir.org.uk.

Tickets for the cathedral concert from www.sheffieldbachchoir.org.uk, www.wegottickets.com, Sheffield Cathedral shop, or at the door.